California Studies Association

The latest news, events, and perspectives from the CSA

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Alert: Save a Californiana Book Collection

The CSA received this important memorandum from the Historical Society of Southern California:

Subject: Threatened dismantling of California Collection

Dear friends:

It has been brought to the attention of HSSC that the important Californiana Collection housed at the Rosemead Library, part of the Los Angeles County library system, is scheduled for elimination very soon.

The collection is a prime resource for research in 19th and 20th century California history.  Michael Engh has called it a “hidden treasure”.  Opened in its own quarters within the Rosemead Library in 1988, it features such resource materials as the California Census Schedules from 1850 to 1910, files of the newspaper, Alta California, 1849-1891,  The Los Angeles Star, 1851-1879, city directories for the 1800’s, Sanborn Fire Insurance Company atlases for Los Angeles and San Francisco, and strong special gatherings of materials on California water projects, famous crimes, the Donner Party, Hollywood, and pioneer narratives.

A series of dedicated librarians worked for decades to draw materials from the entire county library system and to centralize them at the Rosemead facility.   The threatened break up of this marvelous resource should concern every historian, teacher and, indeed, every lover of good historical research.

You may wish to join HSSC in appealing to Gloria Molina and other members of the Board of Supervisors to preserve undiminished the entire Californiana Collection at the Rosemead Library.  The e-mail address for Supervisor Gloria Molina is

Patricia Adler-Ingram, Ph.D.
Executive Director
Historical Society of Southern California
Box 93487, Pasadena, CA 91109
Business Office (323) 460-5632

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Bay Area Documentary Film from the NYTimes

This article comes in the leadup to the SF Indy Film Fest, Feb 4-18 by way of the California Council for the Humanities: they sponsored Christian Bruno’s “Strand” discussed below. –ed

Arts – Nonfiction Filmmakers Still Tell Rich Stories –

Published: January 23, 2010

The Bay Area has long been known as a center for documentary filmmaking. Many local documentarians have won or been nominated for Academy Awards, including Sam Green (“The Weather Underground”) and Robert Epstein (“The Times of Harvey Milk”). The area is home to the Independent Television Service, a major financer of documentary films, as well as some of the most respected film schools in the country.

Harrod Blank with the art car “The Clock Bug,” from the film “Oh My God! It’s Harrod Blank!”

Andy Bowley/PBS

Fela Kuti’s son Seun, from “Sound Tracks.”

Katherine Breuns/

Yousef Elhaj, the subject of “Corner Store,” at the right, in the West Bank in the Palestinian territories.

But the success of local documentaries can’t be attributed to education and financing alone. The region itself seems especially tight-knit and supportive.

“The Bay Area is a very good place to be a documentarian because of the cooperative nature of the community,” said Janis Plotkin, a programmer for the Mill Valley Film Festival. “For a small city, San Francisco has amazingly supportive resources for independent filmmakers.”

But fundamentally, the success has to do with storytelling. Some local filmmakers, like Christian Bruno, are pushing the limits of narrative. Mr. Bruno’s jewel-like film “Strand: A Natural History of Cinema” mines the history of the region’s once-opulent movie palaces in a lyrical manner that makes it feel like an archaeological dig. He burrows through time with the aid of diverse interviews, archival footge and contemporary scenes shot on 16-millimeter film to convey the idea of cinemas as sites of social interaction and imaginative exploration.

But as three compelling new homegrown documentaries show, local filmmakers are also using more traditional storytelling techniques, like character-driven narratives with a strong three-act structure, in powerful ways. The Talbot Players’ “Sound Tracks: Music Without Borders” series; Katherine Bruens’s “Corner Store”; and David Silberberg’s “Oh My God! It’s Harrod Blank!” tell engrossing tales by focusing on key characters.

The tried-and-true storytelling formulas clearly work. The slow-burning “Corner Store” follows the journey of Yousef Elhaj, owner of a Mission district corner deli, as he travels from San Francisco to his native Palestinian territories to be reunited with his family, which he hasn’t seen in 10 years. The film provides a moving insight into one man’s struggle to reconcile the kinship he feels for his adopted Bay Area home with his Middle Eastern roots.

“Corner Store,” which will be screened at next month’s San Francisco Independent Film Festival, trundles along languorously, with atmospheric shots of bustling Palestinian marketplaces and San Francisco streets.

Despite its meandering pace, the film is engaging because of Ms. Bruens’s deep, meditative portrait of the protagonist and the straightforward narrative arc. Moving from San Francisco to the Palestinian territories and back to San Francisco, the three-part structure makes viewers feel as if they were traveling alongside Mr. Elhaj.

The layout of “Sound Tracks” is equally pronounced. The documentary, which begins on Monday night on most PBS stations, comprises three distinct and fascinating narratives about the intersection of music, travel and politics. The segments provide fresh angles on relatively well-known subjects by offering miniature character studies.

The first story explores the genesis of the hit Russian pop song “A Man Like Putin,” a peppy piece of musical propaganda that has grown to be something of a calling card for Prime Minister Vladimir V. Putin. The segment focuses on the song’s composer, Alexander Yelin, a rock music dissident turned promoter.

The next section delves into the legacy of the Nigerian music pioneer and political activist Fela Kuti. It centers on Mr. Kuti’s youngest son, Seun, who stepped forward as a teenager to lead his father’s band after Mr. Kuti’s death in 1997.

The third segment follows the Kazakhstani virtuoso violinist Marat Bisengaliev as he tries to recoup the battered reputation of his country in the wake of “Borat,” Sacha Baron Cohen’s blockbuster 2006 mockumentary that didn’t do much for Kazakhstan’s global reputation.

“Sound Tracks” makes a virtue of its three-part structure; the individual narratives come together cumulatively to make its resounding overall point: music is a powerful agent of community building and social change.

Meanwhile, Mr. Silberberg’s engrossing documentary “Oh My God! It’s Harrod Blank!” explores the life and work of Mr. Blank, a Bay Area artist and filmmaker best known for building art cars (vehicles festooned with different objects) and documenting that scene. The film, also showing at the San Francisco Independent Film Festival, not only creates a vivid, fond portrait of the eccentric Mr. Blank (a man who seems to love chickens more than people), but also provides a profound meditation on the pros and cons of rugged individualism. Although the film moves back and forth through time, it basically unfolds in three stages: Mr. Blank’s youth, his growing interest in art cars and his more recent activities.

All three films palpably demonstrate the power of traditional storytelling. But there seems to be a push on the local documentary scene for a more innovative approach, like Mr. Bruno’s, as well.

“There are many types of documentaries, and the form is not limited exclusively to stories driven by characters,” Michele Turnure-Salleo, the San Francisco Film Society’s director of filmmaker services, said in an e-mail message. “A compelling subject or inquiry can form the backbone of a nonfiction film, and funders are supporting work that extends beyond traditional character-driven storytelling.”

As long as the rich filmmaking community and resources continue in the Bay Area — and as long as the documentarians put their narratives front and center — the combination of experimental and trusted approaches should further the success.

The San Francisco Independent Film Festival runs from Feb. 4 to 18. Information:

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Julia Stein for truthout: Restore America to Its People: Revive the Civilian Conservation Corps

t r u t h o u t | Restore America to Its People: Revive the Civilian Conservation Corps.

Restore America to Its People: Revive the Civilian Conservation Corps

by: Julia Stein, t r u t h o u t | Op-Ed

(Photo: Hutchinson, W. I. / The Forest History Society)

In 1932 the United States was at an economic standstill, the country faced an environmental catastrophe, and the nation was crisscrossed with hunger marches. Within months after he was elected, Franklin Delano Roosevelt started the jobs program called “The Civilian Conservation Corps” (CCC) to both create jobs and deal with the environmental disaster. The CCC gave jobs to 3 million men and lasted until 1940. In this period, FDR in a radio broadcast asked his radio audience, “Give me your help in this crusade to restore America to its people.” Reviving the CCC for this new year and new decade would help now to restore America to its people and heal the land, just as the program did in the 1930’s.

Men who had been in the CCC say they had grown up poor on farms and saw the Dust Bowl storms that destroyed farms. Also, these men saw soil erosion as a huge problem wasting fertile top soil across the country; children would play in gullies two stories high from soil erosion. For a century and a half, American farmers and forest companies had cut down trees; American farmers didn’t know anything about fertilization or crop rotation, so they had eroded the soil and created huge damage to the land. In the early 1930’s, besides dust storms, there were also forest fires, floods, drought and deforestation – an environmental disaster.

Also in the Great Depression, millions had no jobs and were hungry. FDR knew that young men 18-25 were thrown out of their families and roaming the country looking for food and jobs. There were hunger marches across the country and two national marches to Washington, DC. Within months of FDR taking office, he had gotten Congress to pass legislation to set up the Civilian Conservation Corps and then authorized Frances Perkins, his secretary of labor, to set up the CCC, a jobs program for young men.

The CCC’s young men were put to work planting trees and built the first fire roads on government lands. They fought forest fires. In national and state parks across the nation, they built the first lodges and roads. They worked in 100 trades, including carpentry, mechanics and road and dam building. At night from 6-10 PM, they attended classes – many learning to read and write as well as learning a trade. They learned automobile mechanics, horticulture, cooking, baking, photography, radio work and many other trades. The program gave work to cooks, administrators and engineers. Newsreels made in the 1930’s often showed CCC boys being interviewed. This footage, rare now, was recently broadcast in the documentary film “Civilian Conservation Corps” on PBS fall 2009.

The men in the CCC planted over 2 billion trees and stopped soil erosion, helping to repair the immense environmental damage so that the country’s environment was improved by 1941. They built the first ski trails, starting the ski industry. They built roads and lodges in national parks, leaving as a legacy recreation facilities that Americans enjoyed for the next 70 years.

In 1997, I visited Death Valley and met CCCers – now 86 or 87 – and their wives who came back for a 60-year reunion to see the roads and lodges they built in Death Valley National Park. In Death Valley, the 1,200 CCC men built 500 miles of roads; put in water and telephone lines; erected 76 buildings for themselves, park employees and visitors; built trails to scenic points; put in five campgrounds, restrooms and picnic areas; developed an airplane field; built a laundry, village and trading post for the Shoshone Indians; helped survey the monument, and built an airplane landing field. My friend Donna Cashell’s father worked in the CCC and was proud of his work. The young men who had been beaten down got renewed faith in themselves by seeing the productive work they had done.

The young men who had been hungry started eating regular meals in the CCC. They got their first medical and dental exams. They lived in army-like barracks, worked eight hours a day for $30 a month, and they sent $25 a month to their families – that $25 helped families all across the country. They had recreation such as swimming after work. The program wasn’t perfect. For a short while, the CCC had a few female units but quickly disbanded them. At first, white and black young men were in the same CCC units, but segregationists in the South made a stink so FDR set up segregated units.

The Obama administration could quickly revive this marvelous program, helping to give employment to those who most need it and helping the country deal with global warming. Imagine if again we had 3 million young men and women planting trees, putting in solar panels, installing wind mills in north Texas and Oklahoma to generate electricity and helping to install new electricity lines to bring this windmill-generated electricity to the rest of the nation. This new CCC would be integrated and would include women, of course.

We need instead of a large army a large Civilian Conservation Corps 3 million strong working to fight global warming and to get the unemployed working again, particularly the youth. For 2010, we need to end the useless Afghan and Iraq wars that were built and maintained on lies and corruption and bring the troops home. Instead we need a peaceful environmental army of the new Civilian Conservation Corps.

FDR’s New Deal sprang from the marches and demonstrations of the hungry and jobless in the early years of the Depression. We need to get active, each one of us, as citizens. We need to speak out and organize to get this new CCC legislation introduced and passed through Congress. If need be, we could have local and national marches as they did in the 1930’s. We need art and literature that focus on our country and its people like the art and literature of the 1930’s. We need a thousand Civilian Conservation Corps camps across this land.

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H-California Calls for New Published Works and Other Materials

Date:    Mon, 25 Jan 2010 11:28:19 -0800
From:    Denise Spooner <jmds1997@GTE.NET>
Subject: Do You Have a Recently Published Work on California Studies?

Dear H-Californians,

I’ve been remiss in not soliciting notices of books, articles,
websites, and other materials subscribers have been published over the
past six months or so.  Now’s the time to change that.

If you have published a book, article, or have some other item that
you think subscribers to H-California should know about, send me the
pertinent information and I will compile that list to be distributed
through out network.   Please limit your contributions to materials
that have been published within the last six months.  Your submissions
should be sent to my private email address by Friday, 12 February.
That address is


Denise S. Spooner, co-editor H-California


Multicultural Fellowship Program — The San Francisco Foundation

Multicultural Fellowship Program — The San Francisco Foundation.

2008-09 Multicultural Fellows.JPG

In an area with such a wealth of young talent, it is essential to cultivate the next generation of community leaders to reflect the diversity of our region. In our Multicultural Fellowship Program, we select young professionals of color with the promise and passion to create significant social change. By working in our grantmaking teams and contributing to numerous projects across the Foundation, fellows gain dynamic hands-on leadership experience. Former fellows now serve as executive directors and development directors in nonprofits, as program officers in foundations, as government officials, and as professionals and academics who serve or work with nonprofits.

The Fellowship taught me the dynamics within a region or community that have been really helpful when thinking about how you can make change at a national or state policy level.

-Recent Fellow

The San Francisco Foundation’s Multicultural Fellowship Program aims to increase diversity in the philanthropic and nonprofit sectors. The Program provides young professionals of color with challenging work experiences and leadership opportunities in the areas of grantmaking and community building. The Fellowship includes an intensive curriculum, individual coaching, mentorship, access to local service sector leaders, and countless opportunities to build a professional network.

Photo: The 2008-09 class of Multicultural Fellows are [pictured above, L-R] Grace Ma, Navin Moul, Josaphine Stevenson, Gloria Bruce, Vanessa Camarena-Arredondo, and Nacala Jendayi.

Applications for 2010-2012 Fellowships Due on March 22nd

We are now accepting applications for the 2010-2012 Fellows in Arts and Culture, Education, and Environment Program areas. Please read the following carefully for complete application information and to learn about the upcoming information sessions.

General qualifications:

  • Self-directed, team-oriented, and leadership qualities.
  • Demonstrated interest in fundraising, donor development, and nonprofit or public service.
  • Volunteer and/or work experience in a specific Program area as specified below.
  • Eagerness to learn about the philanthropic sector.
  • Ability to interact effectively with diverse audiences from varying socio-economic backgrounds.
  • Strong oral and written communication skills and analytical skills.
  • Ease in producing high quality work in a high-production, multiple-project environment.
  • Strong computer/software skills, including Windows and Microsoft Word and Excel.
  • Familiarity with Raiser’s Edge a plus.
  • A Master’s degree in a relevant area or equivalent research and analysis experience preferred.
  • A minimum of five years of related work experience is required in addition to the specific requirements for each of the program areas noted here.

Arts and Culture Program Fellow Qualifications: Deep knowledge of visual, performing, media, and/or literary arts. A background in the arts and nonprofit experience is important. An understanding of the issues facing arts organizations and individual artists is essential.

Education Program Fellow Qualifications: Knowledge of child and youth development issues with an understanding of schools, childcare, or youth-serving programs required. Knowledge of school reform issues is desirable. Background in organizational development, policy analysis, or evaluation is especially welcome.

Environment Fellow Qualifications: Education and experience in the area of environmental advocacy, environmentally sustainable economies, environmental health and justice, land-use, smart growth, and policy work. A background in Bay Area environmental justice issues and environmental sustainability is desired. Knowledge of climate change policies and programs will be helpful.

$46,000-$50,000 annually

Application Deadline:
Monday, March 22, 2010. Emailed applications must be received by 5:30 p.m. Mailed applications must be postmarked by the deadline date.

How to apply:
Applicants must submit the following three items:
1. Cover letter
2. Résumé
3. Responses to the Fellowship Application questions. Download the questions here.

You may email your application to OR mail it to:

Multicultural Fellowship Program
The San Francisco Foundation
225 Bush Street, Suite 500
San Francisco, CA 94104

Please submit your application only via one method; do not email and mail your application. Every application received will be acknowledged within two business days. Please note, all three application items must be received by the deadline to be considered for an interview. Applicants selected for an interview will be contacted by April 15, 2010.

Special Information Sessions:
The San Francisco Foundation is holding two Fellowship information sessions at our office, at 225 Bush Street, Suite 500, San Francisco, CA 94104.

Thursday, March 4, 2010
3:00 p.m. – 4:30 p.m.

Monday, March 8, 2010
10:30 a.m. – 12:00 noon

The information sessions are an opportunity to meet our current Fellows, Program Officers, the Fellowship Coordinator, and other staff, while acquiring additional information about the Fellowship Program. No RSVP required.

If you have questions regarding the Fellowship Program or the recruitment process, please contact Jamillah Washington-Weaver at 415.733.8557 or

Multicultural Fellowships: A Model to Strengthen and Support Emerging Leaders of Color

There is growing recognition that leadership within the fields of philanthropy and the nonprofit sector are not reflective of the racial/ethnic diversity of the nation as a whole. The 2009 cohort of The San Francisco Foundation Multicultural Fellows drafted a paper, entitled “Multicultural Fellowships: A Model to Strengthen and Support Emerging Leaders of Color,” detailing how the Fellowship can be used as a program model to encourage the development of leaders of color in nonprofit, governmental, and philanthropic sectors. The San Francisco Foundation’s commitment to supporting emerging leaders of color, as well as the longevity and success of the Fellowship Program, puts the fellows in a unique position to share our experience and offer recommendations on how similar fellowship programs could be developed in other sectors and foundations. The paper includes reflections from former and current fellows and is specifically focused upon the impact that the Fellowship Program has had on our careers and capacity as leaders. Click here to download a PDF of this paper.

Rockefeller Philanthropy Advisors’ Report on Diversity in Action

In July 2009, Rockefeller Philanthropy Advisors released its report entitled “Diversity in Action: Strategies with Impact.” This report highlights ideas, approaches, and programs from CEOs and trustees of foundations who have implemented solutions to ensure greater reach into diverse communities, including The San Francisco Foundation’s Multicultural Fellowship Program. With an aim to promote best practices, leaders share perspectives on both the rationale and the methods of their diversity strategies. Click here to download a PDF (1.7 MB) of this report.

Our 2009-10 class of Multicultural Fellows

Navin Moul (Social Justice)

Before joining The San Francisco Foundation, Navin was a graduate student at the University of California, Berkeley in the Ethnic Studies Department. Her doctoral research looked at citizenship and belonging using the deportation of Cambodians living in the United States as a case study for understanding incorporation and identity. As a Fulbright Fellow, she lived and conducted field research in Cambodia, interviewing “returnees” who were forcibly removed from the U.S.. While in Cambodia, she also worked as the program director for Global Youth Connect, an organization that works to build and support a community of youth who are actively promoting and protecting human rights, and to educate and inspire the next generation to work for peaceful change. Prior to graduate school, Navin taught first grade at Spruce Primary in Washington State. She holds a Master’s degree in Ethnic Studies from University of California Berkeley and a Bachelor of Arts in American cultural studies from Western Washington University.

Vanessa Camarena-Arredondo (Arts and Culture)

Before transitioning into the fellowship, she was a program assistant in Education and Community Development at the San Francisco Foundation. Prior to this, she was the program coordinator at the Latina Breast Cancer Agency. Additionally, Vanessa worked with the California Faculty Association at her university in a collective effort to address state budget cuts. She worked for two years with Self Help Graphic Gallery and Print Shop on the Day of the Dead celebration and Deaf Children’s Arts Festival. Vanessa also interned with the Mark Taper Forum’s Latino Theater Initiative, and was a youth program coordinator at Bienestar, an HIV education and service center serving the Latino community. Vanessa sings with Las Bomberas de la Bahia and is a student at Los Cenzontles Mexican Cultural Arts Center. She holds a Bachelor of Arts in Latin American studies from California State University, Los Angeles.

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Berkeley Public Policy Press: The People’s University: A History of the CSU

This announcement comes to us from Ethan Rarick, Director of the Robert T. Matsui Center for Politics and Public Service, Institute of Governmental Studies, UC Berkeley.

A New History of the California State University System

book cover imageThe Berkeley Public Policy Press has just published The People’s University: A History of the California State University, by Donald R. Gerth, former president of the CSU campuses in Dominguez Hills and Sacramento. The first comprehensive history of the CSU system, The People’s University chronicles the growth of the CSU system from a single institution in San Francisco in the years after the Gold Rush to today’s 23-campus system enrolling more than 450,000 students. The People’s University addresses the many facets of a set of comprehensive universities, institutions that share an overarching mission and yet vary widely in the programs offered, from the technological emphases of two polytechnic campuses to agricultural programs at a campus in the heart of the San Joaquin Valley, to a campus in the state capital with first-rate public policy and government programs.

More information, including how to order, is here and here.

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CSA Announces 2010 Conference: “Failed State?” Friday, April 16, UC Davis

The CSA announces its 2010 conference. Details are forthcoming and will be announced on our website and here on the blog.

Failed State?  Crisis and Renewal in California Politics and Culture

Co-sponsored by Boom, the California Studies Association, and the New America Foundation

Friday, April 16, UC Davis

Historically, California has embodied boundless possibility. Though its history is riddled with the contradictions and limits of such imaginings, the state’s unique culture and institutions are nevertheless a testament to California’s promise, and the millions who acted on this promise produced a diverse, original, productive, and powerful society.

Yet for all its natural, human, and economic resources, California faces an idiosyncratic and outsized version of the challenges facing other states: deteriorating infrastructure, a starved education system, looming environmental catastrophe, an unsustainable prison system, and escalating unemployment.  Framing it all is a seemingly intractable condition of political gridlock.

As the CSA celebrates its 20th annual meeting, join a diverse and dynamic gathering of California scholars, teachers, writers, students, artists, builders, service workers, political leaders, and community organizers for a day-long inquiry on California’s unique successes, failures, and possibilities.CS

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Jack Henning Graduate Fellowship in Labor Culture and History, $5k: Deadline March 1

The Jack Henning Graduate Fellowship

in Labor Culture and History

This fellowship has been established to honor the life and work of Jack Henning,

San Francisco labor leader, statesman, and tireless champion of all working people.

Purpose:  To encourage innovative study of the problems, identities, philosophies, and – particularly – the expressive cultures of working people in the United States.

Eligibility:   Graduate students (Master’s and Ph.D. candidates) enrolled in an accredited California university undertaking research related to laborlore, labor history, occupational folklife, trade union traditions, and/or workers’ expressive culture, all broadly defined. Applicants may be from any relevant discipline, including but not limited to Anthropology, Art, Communication Studies, Cultural Studies, English, Ethnic Studies, Folklore, Geography, History, Labor Studies, Literature, Sociology, Urban Studies, and Women’s Studies.

We are especially interested in supporting graduate students who are exploring important, innovative topics related to the lives of working people that may fall outside of the parameters of traditional academic research and funding.

Award:  A stipend of $5,000 will be provided for the academic year 2010-2011. The award recipient will be expected to submit a progress report at the end of the field research and a final report when the thesis/dissertation is completed.

To Apply:  Applicants for the Henning Fellowship should send 3 copies of each of the following:

    I. The written proposal, of no more than 1500 words, describing a field-based research project that focuses on some aspect of workers’ lives shall include:

a. the research question and methods

b. a discussion of the significance of this project

c. a projected timeline

d. an estimated budget

e. a preliminary bibliography

    II. Applicant’s CV and a listing of other awards, scholarships, and funding sources, applied for and/or received, if any.

III. A letter of recommendation from the thesis or dissertation committee chair.

These should be sent via US mail (electronic submissions will NOT be accepted) to:

Fund for Labor Culture and History

Jack Henning Graduate Fellowship

224 Caselli Avenue

San Francisco, CA 94114

Deadline:  Applications must be postmarked no later than March 1, 2010.

    The Fellowship will be awarded in April 2010.

Questions regarding the application process should be sent to:

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Call for Proposals – Deadline March 1, 2010 – TOWARD A JUST METROPOLIS

Call for Proposals – Deadline March 1, 2010 – TOWARD A JUST METROPOLIS.

Call for Proposals – Deadline March 1, 2010

Presentations, Posters and Workshops

As cities and towns around the world grapple with the impacts of multiple and concurrent crises, progressive planners, urbanists, activists, and citizens face the challenge of transforming crises into opportunities to advance profound changes in the way we plan, build, design, live in, and govern our cities.

We invite submissions addressing, but not limited to, the following questions: How are today’s crises impacting cities and transforming contemporary debates about justice? What possible futures emerge as cities and local communities respond to rapid economic, political, demographic, and environmental change? What is a just distribution of local, national, and global responsibilities? What possibilities and/or responsibilities will move us toward a more just metropolis? How do we collaborate to achieve change towards social justice, equity, better living conditions, and the right to the metropolis? What innovative ideas can crises prompt in the quest for a just and inclusive metropolis? And how do we get there?

Submission could be in the form of workshops, panel discussions, paper/project presentations, and posters. We encourage the grouping of papers in pre-organized sessions but reserve the right to realign papers once proposals have been accepted. The conference will feature a special reception for posters, during which authors will display and discuss their work one-on-one. We encourage collaboration across disciplines and communities.

DEADLINE: All submissions are due by March 1, 2010

Applicants will be notified within a month of submission. Our review committee will begin work as soon as proposals are submitted, so interested participants are encouraged to submit proposals before the deadline. All participants in sessions – including local panelists – are required to register for the conference.

SESSION TYPES: We have identified four types of sessions, which are described below. If you have an idea for a different format, i.e. a film or art session, you will have the option to choose “other” on the abstract submission form.

Paper/Project Presentations – These sessions are designed for people to present their research, projects, ideas, accomplishments and failures. Individual presentations should be limited to 15 minutes. Qualifying presentations will be grouped together based on subject, geography or other thematic considerations.  Paper/project sessions will be between 1 and 1.5 hours, and all authors should be present for the full duration of their session, to allow for audience Q&A.

Panels – Panels may be a collection of individual papers and projects or a panel facilitated by a moderator.  Priority will be given to panels that reflect diversity of opinions, backgrounds and geography.  Panels must have a minimum of three and a maximum of five panelists.  The panel organizer must submit ONE abstract on behalf of the entire panel.  The abstract should include the title, purpose, and the names of the panelists and the moderator. Qualifying panel discussions will be between 1 and 1.5 hours and should leave room for Q&A. If you would like us to help identify an outside moderator/discussant, please indicate so in your submission.

Participatory Workshops – The goal of a participatory workshop is the involvement of ALL workshop participants in a discussion or other exercise designed to learn, communicate, debate, etc.  Workshops can be led by a single person, although workshops led by a diverse range of people will receive priority.  “Presenting” by the workshop leader/s should be limited.  Workshop proposals should include the title and purpose of the workshop, the names of all presenters/leaders, and should indicate how leaders intend to involve others in the workshop.  Workshops will be between 1 and 1.5 hours and will take place in classroom-sized rooms, unless special arrangements are made.  Please indicate if the workshop will require any special arrangements for space, scheduling, etc.

Posters – Posters emphasize the visual communication of ideas and are an excellent way to present one’s research, designs or project outside of a formal session.  The conference will feature a special reception for posters, during which authors will present and discuss their work one-on-one, and the posters will be on display in the main conference site during the classroom sessions on Friday June 18th and Saturday June 19th. Poster abstracts should include the title, purpose, names of all authors/presenters and preliminary description or design of the poster.

Other – We enthusiastically invite the submission of proposals for other presentation formats, such as film, installations, project exhibitions, student work, etc.  Abstracts in this category must include the title, purpose, names of presenters/authors, description of the work to be presented, and any required special arrangements (space, scheduling, etc.).


Presenters/authors must first submit an abstract-length proposal of approximately 250-400 words. Proposals must also include:

  • Title
  • Purpose
  • Key words (minimum of 1, maximum of 5)
  • Abstract (250-400 words)
  • Name(s) of all authors, presenters, panelists, workshop leaders, etc.
  • Name(s) of suggested discussant(s), for pre-organized sessions and panels only
  • Special arrangements (space requirements, scheduling, etc.)

To submit an abstract, clink on the link below, which will take you to an offsite abstract submission system which we are using to manage submissions.

Abstract Submission Page

Please direct any questions about proposal submissions to Kate Ervin (HunterMUP at We look forward to having you participate in the Just Metropolis!

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San Francisco Public Library: Peter Richardson and his Ramparts Book: Sat Jan 23

San Francisco Public Library Herb Caen Magazines and Newspapers Center: RAMPARTS Magazine.

RAMPARTS was one of the most influential voices of the radical underground juxtaposed against an all-pervasive overground of mass market and establishment publications on the newstands of America from 1962-1975. From its beginnings in Menlo Park as a soul-searching Catholic literary quarterly as envisioned by publisher Edward Keating, this compelling title evolved into a forum for legendary muckraking and take-no-prisoners investigatory journalism and sweeping social commentary in the hands of San Francisco editors Warren Hinckle, Robert Scheer, David Horowitz, art director Dugald Stermer and the prolific contributions of many others.

Ramparts helped bridge a growing credibility gap between mollifying democratic rhetoric and polarizing social issues, Cold War certitudes, and geopolitical realities. Pro-civil rights, anti-war, and champion promoters of good, old-fashioned American dissent, Ramparts stood alone against the journalistic mainstream with deep political analysis, subversive commentary, alternative opinions, and divergent viewpoints. Armed with both the courage of moral conscience and an unswerving social commitment to the exercise of free speech, Ramparts found

“purpose as a magazine . . . to shatter that predisposition to treat the secret covenants of government and power as sacrosanct . . . .”– Warren Hinckle, June 15, 1968

Recording the tumultuous cultural and political changes of its era while at the same time helping to instigate much of that same ferment, Ramparts went behind the scenes to expose U. S. government perfidy and genocide in Vietnam, Laos, Cambodia; blew the whistle on CIA links to American universities, illegal domestic surveillance, and a lucrative overseas opium trade; revealed conspiracy and cover-up in the murder of President Kennedy; documented the blood vendetta of the FBI versus the Black Panthers; reported local and national environmental issues in depth; published first the Bolivian diary of Che Guevara, the recanting of ex-Green Beret Donald Duncan, the prison writings of Eldridge Cleaver, and much more.

The complete collection of Ramparts magazine is available to readers and researchers at the Magazines and Newspapers Center on the fifth floor of the Main Branch of the San Francisco Public Library. For a special presentation on the life and times of this landmark San Francisco journal, you are invited to attend a live event with author Peter Richardson, A BOMB IN EVERY ISSUE: HOW RAMPARTS MAGAZINE CHANGED AMERICA. This library program will take place on Saturday, January 23rd at 11AM at the Main Library.